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Behind the Scenes:
Q & A with Margaret Tracey
Associate Director of Boston Ballet School,
Stager of Concerto Barocco for Three Masterpieces

What makes Concerto Barocco a masterpiece?
A masterpiece, in my view, is a timeless work that stands on it's own in any context. Concerto Barocco is the perfect marriage of music and movement which Balanchine skillfully executes in this work, a consummate example of excellence. Barocco was originally created to serve as an exercise for students, and since became the masterpiece it is today, and a signature piece of NYCB's repertoire.

How have rehearsals been at Boston Ballet?

Working on Barocco with Boston Ballet provides the dancers with an amazing education. Once the material is taught, my goal has been to simply get the steps into their bodies, and then begin to emphasize and perfect the aesthetics of Balanchine's choreography. One of the challenges of this work is the sheer stamina, and attention to musicality which is essential to all Balanchine works.

How is staging different or similar to your experiences dancing?
The difference between dancing in and staging a work is vast. As a dancer, your primary focus is to prepare your role in the ballet. As a stager, every role is your responsibility. Not just teaching the correct steps, but communicating the intent and integrity of the work and bringing all these elements together for the stage.

Through this process, I am continually amazed at the insights I discover into Balanchine's choreography. I continue to learn more about the structure, connections to the musical score, and how brilliant his ballets are each time I have the privilege to work on them.



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Margaret Tracey